Book Eighteen: Under Sixteen Part Three: Afternoon Characters

Chapter Twelve

One Line

10 min · 2,346 words

Its head has declined every approach for four years with the same sentence, which is that the school does not discuss its pupils.

The Universal Register: Theo Hartigan

The corridor between sixth and seventh period was always full, and always loud, and always had somebody in it running who should not have been, and today, at sixteen minutes to three, it had all of that and something else as well, which was that every telephone in it went off at once.

It was not one sound. It was a hundred small sounds, buzzes and chimes and the tinny opening bars of a song and somebody’s that was a duck, all within about four seconds of each other, from bags and pockets and hands up and down the whole length of the corridor of the old building, from the art room stairs to the trophy case by the front office, so that for four seconds the corridor sounded like an aviary in which every bird had just been told the same piece of news.

Then it went quiet. Not silent. Quiet, the way a corridor goes quiet when a hundred people are reading.

Theo had his out. He read it. He looked up. He looked at Frederick with an expression that Frederick had last seen on him three summers ago, on the night a firework had gone off the wrong way at a street party in the Hartigans’ road and set fire to a hedge.

“It’s here,” said Theo.

“What is?”

“The line.”


Theo got up on the bench.

There was a bench outside the art room stairs, a long wooden one like the one outside the office, where people sat to wait for the music rooms, and Theo stepped up onto it in one stride, with his telephone held out in front of him in both hands like a scroll, and his free arm out for balance, and he was so tall to begin with that on the bench his head was nearly at the ceiling, among the pipes.

“Hear ye,” said Theo.

Everybody in the corridor turned round.

“Theo, get down.”

“Hear ye, hear ye,” said Theo, louder, in a voice Frederick had never heard him use, a deep, rolling, tremendous voice that he must have been keeping for exactly this occasion his whole life. “A statement. From Charter House. From the office of the Prime Minister. Issued at two forty-three this afternoon.”

The corridor was completely still.

Theo looked down at the telephone. He read it. He took a breath.

“His Majesty is King.”

There was a pause.

Theo scrolled. He scrolled again. He looked at the telephone for a moment longer, and then up at the corridor, a hundred faces turned up at him, and then down at Frederick.

“That’s it,” he said, in his ordinary voice. “That’s all of it. Four words.” He looked at the telephone again in a kind of wonder. “He’s put a full stop on it.”


Somebody laughed.

It was somebody near the trophy case, and it was not a mean laugh, it was the laugh people do when they have been holding something in all day and it has been let go of, and it went down the corridor like the rings from a stone, from person to person, until the whole corridor of the old building was laughing, not at anything, at the four words and the full stop and Theo on the bench with his head among the pipes, and at the day, and at Gary.

Frederick stood at the bottom of the bench and did not laugh, because he could not, because he was too busy not doing anything with his face, and was failing.

Mrs Pruitt came out of her classroom, two doors down, in her two cardigans, with her telephone in her hand.

She read it. She looked at it for a moment, the way she looked at a triangle.

“Well,” said Mrs Pruitt, to the corridor in general. “Obviously.”

And went back in.


“Hartigan,” said Mr Kaminski, from the end of the corridor, without raising his voice, which was how he did it, “get off that bench.”

Theo got off the bench.

“Sorry, sir.”

“Seventh period,” said Mr Kaminski. “Everybody. Walk.” He blew his whistle, once, short, in exactly the voice in which he blew it for travelling, and the corridor began to move again, in a long slow shuffle, laughing still, towards the stairs and the walkway and the glass block. As he passed Frederick, going the other way, Mr Kaminski did not stop or look at him. He said, to the air in front of him, at the volume of a man telling somebody their shoelace is undone:

“Told you you hadn’t resigned.”

And went on.


Castellanos was by the trophy case.

He was standing beside it with his hands folded in front of him and his telephone in one of them, face up, and as Frederick came along the corridor he did not look at him, he looked at the trophy case, which had in it a silver cup for the swimming gala of 2004, the one before the roof fell in, and a photograph of Mr Abernathy in 1998 with a moustache, and a framed letter from a former Prime Minister thanking the school choir.

“Message,” said Castellanos, to the trophy case.

Frederick stopped beside him and looked at the trophy case too.

“From whom?”

“A senior parent.” Castellanos looked at the screen. “It says, and I’m reading it to you exactly. Tell him: be ordinary. The Prime Minister telephoned the Palace at twenty to three to say what he had said and what he was going to say. He said that the King told him the truth at once and without dressing it up. Well done. M.” He looked at the screen a moment longer. “And then there’s another one. Separately. It came in a minute later.”

“What does it say?”

Castellanos read it.

“Tell him his mother says the red box is on the kitchen table tonight as usual and that he may have an opinion about everything in it, not only on the Tuesday after. She says he has earned one day early.”

Frederick looked at the photograph of Mr Abernathy in 1998.

“Is that all?”

“There’s a third part.” Castellanos read it. “It’s in Swedish.”

“What does it say?”

“I don’t speak Swedish,” said Castellanos. “I’ve got it written down phonetically, the way the Household gave it me, in case. I’ll read it, and you’ll know.” He looked at the screen, and said, in a carefully flat voice, every syllable separate, like a man reading a timetable in a language he does not have:

“Du har varit kung hela tiden, gubben.”

Frederick did not say anything for a moment.

“What does it mean?” said Castellanos.

“Nothing,” said Frederick. “It’s a thing she says.”

Castellanos nodded, and put the telephone away, and looked at the trophy case.

“It’s a nice trophy case,” he said.

“It’s all right.”

“Good choir, in 1987.”

“Mr Pettigrew met my father in 1987.”

“Did he.” Castellanos looked at the framed letter for a while. “Small world,” he said, and went back to being a parent.


He found Marcus at the top of the stairs to the walkway, with his trombone case.

Marcus was a round cheerful boy with enormous hands who had played the trombone since he was nine and had learned, in six years, exactly one tune on it all the way through, which was the school song, and played it on every possible occasion, and some impossible ones, and had been in the second verse of the recording in 2026, slightly ahead of everybody, entirely sure.

“Marcus.”

“Hey.”

“The Prime Minister says it’s a good tune.”

Marcus stopped on the stairs.

“What?”

“The Prime Minister. Lord Whitlock. He was on hold to the office for eleven minutes this afternoon, and the hold music’s the band. The recording from 2026. With you in the second verse.” Frederick looked at him. “He heard it eleven times. He said it’s a good tune, and to tell you.”

Marcus looked at him for a long moment with his mouth open.

“Eleven times?”

“Eleven minutes. It’s about four times. He might have been rounding up.”

“The Prime Minister,” said Marcus, slowly, “heard me.”

“In the second verse. You’re a bit ahead.”

“I’m always a bit ahead,” said Marcus, with immense dignity. “The rest of them are a bit behind.” And then, before Frederick could stop him, before anybody could stop him, he put the trombone case down on the top step of the stairs, and undid the catches, and took out the trombone, and fitted the slide, and put it to his mouth, and there, in the stairwell of the old building, at thirteen minutes to three, with the rain on the walkway roof and two hundred people going past him in both directions, he played the school song.

The whole of it. Both verses. Loud. Entirely sure.


Mr Kaminski’s whistle went, from the bottom of the stairs.

“Marcus,” said Mr Kaminski. “Put it away.”

Marcus took the trombone from his mouth.

“Sir, the Prime Minister…”

“I don’t care if it’s the Archbishop of Canterbury. It’s a stairwell. Put it away.” Mr Kaminski came up two steps and looked at Marcus, and at the trombone, and at Frederick, and something happened to his broad face for a moment that Frederick had never seen happen to it. “It was in tune, though,” he said. “I’ll give you that. For once.” And went back down.

Marcus put the trombone away with the face of a man who has been knighted.


They gathered at the door of room fourteen, under the walkway, in the rain blowing in sideways: the eight of them from the morning, and Lucía with her telephone, and Devon with his, which he was holding at arm’s length as though it might go off.

“It’s at eleven thousand,” said Devon.

“Put it away, Devon.”

“I can’t make it stop.”

“Nobody can make it stop,” said June. “It’s not yours any more. It’s Gary’s.”

Through the glass panel in the door Frederick could see room fourteen. The three buckets, red and blue and magnolia, fuller now. Benjamin Franklin in the rain hat. Mr Ferrante’s desk, with the box of cards on it, and Mr Pettigrew sitting behind it, very upright, eating something out of a tin with a fork and reading an index card held at arm’s length. And behind him, on the whiteboard, in large straight capitals leaning into the wind, still there, untouched since twenty past nine:

A PERSON UNDER SIXTEEN CANNOT BE KING. (HANOVER)

“He doesn’t know,” said Felix. “Still. Look at him.”

“He’s been in there all lunch,” said Lucía. “I saw him. He didn’t go to the staff room. He had sardines out of a tin and read his cards.”

“He hasn’t got a telephone,” said Priya. “He told Lucía in first period. He said he had a wireless in the Dakotas and that was enough.”

“So he’s the only person in the school,” said June slowly, “who doesn’t know the Prime Minister’s said it.”

“Apart from the inspector,” said Theo.

“The inspector doesn’t listen to the radio in working hours,” said Priya. “He told Mrs Pruitt. Devon heard.”

“He did,” said Devon miserably. “He said it was a matter of principle.”


“Right,” said Felix. “Now we have to tell him.”

“Tell him what?”

“That the board’s wrong. That it’s on the radio. That the Prime Minister’s said…” Felix stopped. He looked at Frederick. “That.”

There was a pause at the door of room fourteen.

“If we tell him the board’s wrong,” said June slowly, “he’ll ask how we know.”

“We’ll say it’s on the radio.”

“He’ll ask what’s on the radio. And we’ll have to say the board’s on the radio. And he’ll say why on earth would my board be on the radio. And we’ll have to say because of who said it.” June looked at the brackets on the board through the glass. “And then he’ll look at the brackets.”

Everybody looked at the brackets.

(HANOVER)

“The score,” said Theo, quietly, with real anguish, holding the planner against his chest. “Freddie. The score.”


Frederick looked through the glass at the old man eating sardines out of a tin, behind the desk, under the board, reading a card from 1974 at arm’s length, perfectly happy, perfectly unaware, among the geese.

Oh, poor you, there’s so much of it.

He thought about the thing Mr Abernathy had said with the tray, and Dr Brooks had said in the green chair, and Lord Whitlock had said on the telephone. You were wrong. You’ll put it right.

“I’ll tell him the board’s wrong,” he said.

They all looked at him.

“Just that. That the board’s wrong. That I was wrong. That I answered the wrong question this morning and it’s my name on it and it shouldn’t be up there.” He looked at the brackets. “I’ll tell him why it’s wrong. I know why now. I can prove it from what I’m given.” He looked at Priya. “Four words.”

Priya looked back at him, calm, and nodded, very slightly, once.

“And who you are?” said Felix.

Frederick looked through the glass at Mr Pettigrew, who had finished his sardines and was wiping the fork carefully on a handkerchief and putting it back in the tin.

“That’s not the board’s business,” he said.


The bell went for seventh period.

Theo opened the planner against the door of room fourteen, with the rain blowing in on it, and wrote, very fast, under everything else, the last entries before seventh period:

PRIME MINISTER KNOWS: 1 GARY KNOWS: EVERYTHING MARCUS KNIGHTED: 1 SUB KNOWS: 0 (STILL) KING KNOWS: YES

He looked at the last line for a moment. Then he crossed out YES and wrote, in its place, in small careful capitals:

IN HIS OWN RIGHT: MAY

He shut the planner and put it in his back pocket and patted it.

“Go on, then,” said Theo. “Your Majesty. It’s history.”

And Frederick opened the door of room fourteen and went in.

In the Register

Entries for the people, places and events in this chapter.